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The Plot: The Amazing Mr. No Legs begins in a small warehouse where we see men rolling cigars with what appears to be small capsules of cocaine inside of them. A few minutes later, after a shipment is sent out, a man in a wheelchair (Lou/Mr. No Legs – Ted Vollrath) appears and kills two doc workers for stealing drugs for their own personal use. Shortly after this we’re taken to a small dinner party where we meet several other people seemingly tied to the mob.
Next we’re taken to a small motel room where a woman is killed accidentally by her boyfriend. Mr. No Legs is called to assess the situation and finds that the dead girl has a brother whom is a cop. The three agree to clean the mess up by taking the girl and killing her boyfriend not leaving any loose ends, so to speak. Later that night the dead girls brother arrives and identifies his sister and then heads to the bar to get drunk.
At this point we meet Police Capt. Hathaway (John Agar) as he’s discussing the case of the dead girl with Det. Chuck Roberts (Richard Jaeckel). Hathaway then assigns Roberts to the case as he wants the killer found. Back at the brother cops place, his girlfriend tries to talk him into a vacation, but he’s hell bent on finding his sisters killer as well. So Roberts and the brother cop are off to find the killer.
The Takeaway: I only recently discovered The Amazing Mr. No Legs while listening to a recent episode of Outside The Cinema (a cult movie podcast). While listening, I immediately searched for the film and had it on my computer in no time flat via YouTube. The film itself is a low budget action/exploitation film involving drugs, murder, martial arts, the mob and a mob enforcer without legs, hence the title of the film. While the first quarter of the film is interesting and fun to watch, it begins to slow to a crawl and only picks up at about the hour mark. It’s here we get to see what is likely the best scene in the film, the poolside fight with Mr. No Legs. But oddly enough, Mr. No Legs is actually killed shortly after this making one wonder why they would kill the films star attraction. Regardless, the film is full of exploitative moments and there’s enough action to warrant a recommend by myself as it’s actually a pretty good film.
Film Facts: The Amazing Mr. No Legs (aka Mr. No Legs) was directed by Ricou Browning and written by Jack Cowden. It was released in 1979 on a limited basis and ran the Grindhouse circuit on a limited basis as well. Ricou Browning only directed a small handful of titles including the TV series Flipper and Gentle Ben . He’s best known for playing the Gill Man in the underwater scenes of The Creature From The Black Lagoon (1954). Along with The Amazing Mr. No Legs , Jack Crowden wrote for the Flipper series and penned Island Claws (1980) and Salty (1973).
Ted Vollrath (Mr. No Legs) is the real star of the film, if you want to call him that. Vollrath lost his legs in the Korean war and soon afterwards began training in martial arts earning a black belt and eventually becoming a Grand Master karate champ. He then went on to find the Martial Arts for the Handicapable Inc. where he dedicated himself to teaching martial arts to the disabled. Vollrath only appeared in one film, this one.
Thoughts In My Head: – Are they rolling cigars with drugs in them – Oh shit, John Agar is in this film – Why would drug dealers sign for a shipment of drugs – Nice, dual shotguns built into a wheelchair – OK, it seems that Mr. No Legs is playing a mob enforcer in this role – Umm, this music scene feels terribly out of place – Well, Mr. No Legs seems to have disappeared – Yeah, that’s a dude dressed as a woman at the bar, steer clear my friend – Awesome, Mr. No Legs is doing push-ups from his wheelchair – “this is the liveliest morgue I’ve ever been in, I know that” – Officer Roberts – The corvette fight scene is amazing ly… bad… – Oh, the first real martial arts fighting scene – Just pick Mr. No Legs up and throw him in the pool – LOL, and there he goes – Even without legs, Mr. No Legs can swim – Oh shit, is the police Capt. corrupt – I want this ’73 or ’74 Camero in the film, it’s sweeeet! – WOW, the final car chase scene is long and exciting. I mean for a no budget film – HAHA, and there are a ton of obvious crash and collision setups during the same scene – Oh my John Agar, you have to be embarrassed by that terribly acted death
Favorite Badass or Badass Moment: Lou aka Mr. No legs Favorite Boobs or Boobs in a Scene: Sorry kids, no boobs in this one Favorite Death Scene: The poolside scene and the deaths that occur there
Boob Count: 0 pair Body Count: 15
IMDB Rating: 5.3 / 10 My Rating: 4.5 / 10
Final Thoughts: Despite the films slow moments and rough around the edges direction/editing and production, The Amazing Mr. No Legs is an oddity of a film that should warrant a viewing by those of you who love low budget action or exploitation films.
The Plot: Petey Wheatstraw The Devil’s Son-In-Law begins with the birthing of a 6-year old Petey Wheatstraw. Yes, that’s right, his mother gave birth to a 6-year old boy in a diaper. Next, we see that Petey Wheatstraw is being bullied by the neighborhood kids. In a scene where Petey is getting beat up, he meets a very knowledgeable ‘black’ martial arts expert who then takes him under his wings and teaches him the way of the warrior.
Some years later we see Petey Wheatstraw performing his stand up act at a local comedy club. Elsewhere, we meet Leroy and Skillet as they’ve just taken 100K from a loan shark to open a night club of their own. That day while listening to the radio, Leroy and Skillet learn that Petey Wheatstraw is in town to perform and will be performing in a nearby club on the day Leroy and Skillets place plans to open up.
After Petey tells Leroy and Skillet to take a flying leap, a young boy is killed (the younger brother of a friend of Petey) in a shooting and shortly afterwards the whole funeral is mowed down in a hail of bullets. After this, a man with a briefcase appears among all the dead people in front of the church and raises Petey from the dead. This man is Lucifer and he’s there to make a deal with Petey Wheatstraw.
The Takeaway: When you think about Rudy Ray Moore you think about one film, Dolemite . Mind you, Moore appeared in several other films throughout his career after Dolemite and Petey Wheatstraw The Devil’s Son in Law is one such film. As far as the film goes, Petey Wheatstraw is a far better film if compared to that of Dolemite in terms of its overall production. As the story goes, the plot is also far more interesting than that of previous films Moore appeared in. Now, keep in mind, this is a low budget blaxploitation film and you get all those tropes during the run of the film. What sets Petey Wheatstraw apart from so many other blaxploitation films is it’s outlandish story and the ridiculousness of all the characters that appear in the third half of the film. Yet, I’m of the opinion that this is exactly why Petey Wheatstraw works so well, its ridiculousness.
Film Facts: Petey Wheatstraw was written and directed by Cliff Roquemore. The film starred Rudy Ray Moore of Dolemite fame and was released in November of 1977. Roquemore directed two other films both starring Moore, The Human Tornado (1976) and Rude (1982). Roquemore also wrote and produced Disco Godfather (1979) and produced Body and Soul (1981).
Thoughts In My Head: – HAHA, oh shit, this lady just gave birth to a watermelon – Followed by a 6 year old Petey Wheatstraw… – According to the credits, we’re going to meet a Leroy and Skillet in this film – Well, it’s early in the film but performances in Petey Wheatstraw are a bit rough – Oh my, the fight choreography in this one is pretty laughable – Petey, please don’t get naked – Oh shit, this film just took a very serious turn – There are actually a couple of funny moments in this film – At the 40-minute mark and no boobs. This is a Rudy Ray Moore film, right – I really don’t need to see Petey fight in his ‘green’ underwear – Rudy Ray Moore still hasn’t learned any real martial arts, has he – This make-shift graveyard is simply awesome – Now that Petey has his pimp cane, he should be ready to kick some real ass – Damn, Petey’s has no fashion sense what-so-ever, awesome – Yeah, these ‘white’ folks aren’t at all misplaced in this all ‘black’ club – This cane Petey uses is much more than just your ordinary pimp cane
Favorite Badass or Badass Moment: Petey Wheatstraw aka Rudy Ray Moore Favorite Boobs or Boobs in a Scene: There are boobs, but they’re all like floppy pancakes Favorite Death Scene: Petey Wheatstraw, squibs galore
Boob Count: 7 pair Body Count: 1
IMDB Rating: 5.9 / 10 My Rating: 5.5 / 10
Final Thoughts: Petey Wheatstraw The Devil’s Son-In-Law is a much better film than previous Rudy Ray Moore efforts. This doesn’t make it a great film, but it does make it watchable. Moore’s performance in this film shows improvement over his previous efforts and his comedic timing is that much better. The story is also crazy and seemingly all over the place making it much more interesting than it should be.
The Plot: Django Kill… If You Live, Shoot! begins when a couple of men run across a stranger (Thomas Milian) on the brink of death in the desert. The stranger, who badly needs water, goes to a memory (a flashback if you will) in which we see a group of men robbing a horse drawn wagon full of gold killing the men guarding it. After being asked to divide the gold, the leader of the attack group (in the flashback sequence) deceives the men who helped him rob the wagon by killing them and keeping the gold for himself.
Back in town, the men who stole the gold earlier in the film show up and visit the saloon and general store. The leader of the group makes a deal with the saloon owner to buy a stable of horses and a couple of others in the gang visit the general store to get stocked up on supplies allowing them to travel the road further. Moments after this, the peaceful town breaks out in gunfire after it’s discovered the men in town are in possession of the stolen gold.
Next, the two men that found the stranger in the desert come into town and see the thieves have been hung and are being hunted by the townsfolk. The stranger himself is now well and straps on a gun and kills the man who earlier left him for dead, ending the violence in the street, or so you think…
The Takeaway: I had never seen Django Kill… If You Live, Shoot! (though I knew it existed) prior to watching it for this review. I do own numerous unopened spaghetti westerns on DVD but only recently purchased this film after listening to the Projection Booth episode on said title. I have to say, this film is far better than it has the right to be. Thomas Milian as The Stranger is terrific in his role as the gunslinger and the villains are equally terrific in the roles they play. And like the original Django (1966), this film feels dirty and gritty throughout as the sets are filled with broken down buildings and seedy, un-trusting, characters. Mind you, this film is not a sequel to Django , in fact it has nothing to do with that film, it only used the “ Django ” title to capitalize on the success of that film. Last but not least, the films direction and story are solid even though the film is at times told in a non-linear fashion. Oh, did I mention that it’s fairly brutal in terms of the gore and deaths that it delivers? Well, it is.
Film Facts: Django Kill… If You Live, Shoot! was directed by Giulio Questi and written by Franco Arcalli. It was released in May of 1967 and would be Ray Lovelock’s first performance in a major motion picture. As a director, Giulio Questi had directed a few other films prior to this but Django Kill… If You Live, Shoot! would end up being the film he’s best remembered by. As a writer, Franco Arcalli continued to work (in limited quantities) and eventually ended up writing the popular film Once Upon a Time in America (1984).
Thomas Milian worked prior to this film and ended up being a staple in the Italian film industry for many years. In particular he found himself in titles such as Corri Uomo Corri (1968), Don’t Torture a Duckling (1972), Four of the Apocalypse (1975) and dozens upon dozens of other films playing various roles. Ray Lovelock had an equally impressive career as he went on to appear in films such as Fiddler on the Roof (1971), Fury (1973), Let Sleeping Corpses Lie (1974 – my favorite Lovelock film), Autopsy (1975) and Last House on the Beach (1978) to name just a few. Both Milian and Lovelock continue to work in the business as of this review.
Thoughts In My Head: – It’s early in the film, but this film already feels dirty and filthy like all Westerns should – Damn, the town residents are brutal and don’t seem to tolerate thieves or murderers – For professional thieves and robbers, these guys are terrible shots – This film is much better than it has a right to be. It’s also bloody as hell – My, how quickly the town turns on its new hero – Gold, the root of all evil, what people wont do to get their hands on it – Damn, Thomas Milian is one good looking dude – Seriously, you’re now shooting women in the back – I don’t care for these rough guys dressed in black – The Stranger doesn’t want to be a Muchacho, he likes women
Favorite Badass or Badass Moment: The Stranger as he overcomes so much in this film Favorite Boobs or Boobs in a Scene: Sorry kids, no boobs in this one Favorite Death Scene: The death of the main gold robber
Boob Count: 0 pair Body Count: 20+
IMDB Rating: 6.5 / 10 My Rating: 7.5 / 10
Final Thoughts: Django Kill… If You Live, Shoot! was far better than I expected it to be. It has that dirty, gritty feel a western should have and the story is fantastic as are the performances throughout the film.
The Plot: China O’Brien begins by introducing us to China O’Brien (Cynthia Rothrock) whom is playing the part of a big city police officer. Once at work, we see that she’s also the martial arts instructor for the station she’s assigned to. After a student of hers is killed in a street fight she resigns as a cop and decides to dive home to daddy.
Once China is back in her home town, we learn that her father is the local sheriff. We also learn that the town isn’t what it once was as it is now littered with degenerates and a bully named Sommers. Oh, did I mention that China is a martial arts expert as well?
Next we meet Sommers, the owner of Beaver Creek Inn, a local bar and Inn. We quickly see that Sommers is a bully similar to that of Ben Gazzara’s character Brad Wesley in Road House (1989) as he pushes his way around with his hired thugs. Not long after this, China’s father is killed in a car bomb attack and to get to the bottom of his death China decides to run for the sheriff’s seat to avenge her father.
The Takeaway: I had never seen, or heard of for that matter, of China O’Brien , prior to hearing the commentary podcast of Dr. Action and Kick Ass Kid . After listening to that episode I knew I had to see this film. And let me tell you, you need to see it as well. Imagine Road House with a female lead who is well versed in martial arts. Imagine a greasy long haired corrupt sheriff. Imagine a side-kick with a perfectly trimmed beard and an amazing Australian accent. Imagine a Native American Indian martial arts expert and imagine the shortage of denim the country must have endured after the films production ended and you have yourself China O’Brien . Yes, the story is nearly identical to that of Road House , but don’t let that stop you from giving this your well deserved attention. The martial arts action is amazing, the story is silly, yet strong in terms of the script and the film is paced rather nicely with story and martial arts sharing the screen.
Film Facts: China O’Brien was written and directed by Robert Clouse and stars Cynthia Rothrock (whom I had never heard of). The film was distributed by Studio/Sterling and was released in 1990. Clouse was no stranger to martial arts films prior to taking on China O’Brien as he directed Enter the Dragon (1973), Black Belt Jones (1974), Game of Death (1978), The Big Brawl (1980) and a BBandBC favorite, Gymkata (1985). Cynthia Rothrock also cut her teeth in martial arts films prior to China O’Brien as she appeared in films such as 24 Hours to Midnight (1985), Above the Law (1986 – no, not the Steven Segal film), Fight to Win (1987) and Top Squad (1988) to name a few. And if you’re wondering about Cynthia Rothrock, yes, she is an actual five-time world Karate Champion in forms of weapons between the years of 1981 and 1985 and also holds six black belts in various martial arts disciplines. She’s the real deal fellas so don’t fuck with her!
Thoughts In My Head: – I can already see that I’m in for a treat – This guys name is ‘Termite” OK… – Is this middle school, he just called her out – I want to have sex with China O’Brien – Who is this woman, I must have her – I’m now wanking it to China O’Brien – OK, back to the film… – Why does a real “martial artist” need a stunt double for fights – Whoa, is this bearded wonder Australian – Who the fuck is this Native American Indian looking dude – Oh my, the acting in this film could use some improvement – I have to say, this is turning out to be a solid story – This film is basically Road House, only better – China has won the election for sheriff, but will she use a gun – And there we have it, China is handing out deputy badges left and right – “they’re watching us, I can feel it” – China O’Brien – I love how the fighting scenes have been sped up just ever so slightly
Favorite Badass or Badass Moment: China O’Brien Favorite Boobs or Boobs in a Scene: Sorry kids, no boobs in this one Favorite Death Scene: There are a number of deaths in this one, but nothing stands out
Boob Count: 0 pair Body Count: 6
IMDB Rating: 4.5 / 10 My Rating: 6.0 / 10
Final Thoughts: China O’Brien is clearly a low budget ripoff of Road House only with martial arts. The story is nearly identical with the exception of some heavy martial arts usage by former world champ Cynthia Rothrock. Whom by the way is fabulous in the film despite using fight doubles in many of her fighting scenes. This makes no sense to me but neither does the film if you look at it too closely. Highly recommended!
The Plot: Stone Cold begins with a scene in a supermarket where we see a handful of men robbing the place. These men however run into a stubborn shopper named Joe Huff aka Stone (Brian Bosworth), who we find out later is a police officer on suspension.
Next we meet biker, Ice (William Forsythe), and his biker gang as they are doing a little target practice. Elsewhere In a court room, a judge sentences one such biker to 45 years in prison for murder. The following morning the judge ends up dead in a fiery explosion.
At this point, the FBI calls Stone in to a meeting and gives the case to him lifting his suspension. They also tell him that if he doesn’t take the case they will increase his suspension to six months. So Stone sets off to infiltrate the biker gang to get to the bottom of the needless violence.
The Takeaway: I’m not entirely sure why Stone Cold is often overlooked as a solid action film and often be-rated as such. The story is solid and it seems to follow biker life at least in terms of club structure. Performances from Bosworth and Lance Henriksen are actually pretty good, in particular, Henriksen. And considering this was Bosworth’s first appearance in film, he does a solid job. I somewhat compare this film to Cobra (1986) as both films feel and look similar in style and context. However, I fell Stone Cold is the slightly better film.
Film Facts: Stone Cold was directed by Craig Baxley and written by Walter Doniger. Stone Cold was distributed by MGM and Columbia Pictures and was released in May of 1991. It was said to have a budget of $25M but only grossed $9.1M making it a financial failure for its distributors. As a director, Baxley worked mostly in TV but did manage to direct a few films throughout his career. Some included Action Jackson (1988), Dark Angel (1990) and Bad Day on the Block (1997). As a writer, Doniger also worked mostly in TV and has penned films dating back to 1941 with Mob Town , Tokyo Joe (1949), Along the Great Divide (1951) and many more.
Brian Bosworth’s career never did take off as planned. Action films were slowly fading out as the film industry was drastically changing in the 90’s. Bosworth has worked in limited capacity over the years and can be seen in One Tough Bastard (1996), Three Kings (1999) and The Longest Yard (2005). He had the build and good looks, but the Bos never did make it as an action star.
Thoughts In My Head: – Bosworth’s mullet is magnificent – Clean up on isle four, LOL, classic – I love me a little William Forsythe – Lance Henriksen plays his part of Chains perfectly – I’m pretty sure most biker chicks aren’t as hot as these are – From what I know of biker life, this film follows suit fairly well in terms of club business – Stone is bigger than the bike he rides – Ice has officially been melted – Oh, oh, they’ve found Stone out and want his head – How is Stone going to get out of this one – Are they gonna crash this helicopter into the courthouse – And there goes Chains – Damn, the Bos gets sweaty and greasy fast – I really want to see a helicopter explosion – Your wish is my command
Favorite Badass or Badass Moment: Joe Huff aka Stone Favorite Boobs or Boobs in a Scene: Biker bar scene where many topless women dance Favorite Death Scene: The death of Chains
Boob Count: 6 pair Body Count: 25+
IMDB Rating: 5.5 / 10 My Rating: 6.0 / 10
Final Thoughts: Much maligned by your typical movie goer, Brian Bosworth in Stone Cold is magnificent (as is his mullet) and is a must see for any fans of those 80’s action films. If you can sit through Cobra, you can sit through this with ease.
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Podcast Listening Portals Follow BB&BCs via Email Enter your email address to follow this blog and receive notifications of new posts by email. Join 1,267 other followers Recent Posts BBandBC Podcast EP92 – Evil Spawn BBandBC Podcast EP91 – Across 110th Street BBandBC Podcast EP90 – Queen of the Road BBandBC Podcast EP89 – Breaker Beauties BBandBC Podcast EP88 – Road Games BBandBC Podcast EP87 – White Line Fever BBandBC Podcast EP86 – 20 Million Miles to Earth BBandBC Podcast EP85 – Disco Godfather BBandBC Podcast EP84 – Black Dynamite BBandBC Podcast EP83 – She Freak BBandBC Podcast EP82 – Mamorial Day Special BBandBC Podcast EP81 – The Lost Empire BBandBC Podcast EP80 – Santo & Blue Demon VS. Dracula & The Wolfman BBandBC Podcast EP79 – Robot Jox BBandBC Podcast EP78 – 10 Violent Women BBandBC Podcast EP77 – Naked Killer BBandBC Podcast EP76 – Gummo BBandBC Podcast EP75 – The Manitou BBandBC Podcast EP74 – Stone Cold BBandBC Podcast EP73 – Night of the Cobra Woman BBandBC Podcast EP72 – The Return of Swamp Thing BBandBC Podcast EP71 – Linnea Quigley’s Horror Workout BBandBC Podcast EP70 – House on Bare Mountain BBandBC Podcast EP69 – Jackie Brown BBandBC Podcast EP68 – Kidnapped BBandBC Podcast EP67 – Kill Baby, Kill BBandBC Podcast EP66 – Manos: The Hands of Fate BBandBC Podcast EP65 – Flesh Gordon BBandBC Podcast EP64 – Riki-Oh: The Story of the Burning Moon BBandBC Podcast EP63 – Bitch Slap Create a free website or blog at WordPress.com . The Parament Theme . Follow Follow “Badasses, Boobs and Body Counts” Get every new post delivered to your Inbox. Join 1,267 other followers Powered by WordPress.com Send to Email Address Your Name Your Email Address Cancel Post was not sent - check your email addresses! Email check failed, please try again Sorry, your blog cannot share posts by email. %d bloggers like this:
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Recent Posts BBandBC Podcast EP92 – Evil Spawn BBandBC Podcast EP91 – Across 110th Street BBandBC Podcast EP90 – Queen of the Road BBandBC Podcast EP89 – Breaker Beauties BBandBC Podcast EP88 – Road Games BBandBC Podcast EP87 – White Line Fever BBandBC Podcast EP86 – 20 Million Miles to Earth BBandBC Podcast EP85 – Disco Godfather BBandBC Podcast EP84 – Black Dynamite BBandBC Podcast EP83 – She Freak BBandBC Podcast EP82 – Mamorial Day Special BBandBC Podcast EP81 – The Lost Empire BBandBC Podcast EP80 – Santo & Blue Demon VS. Dracula & The Wolfman BBandBC Podcast EP79 – Robot Jox BBandBC Podcast EP78 – 10 Violent Women BBandBC Podcast EP77 – Naked Killer BBandBC Podcast EP76 – Gummo BBandBC Podcast EP75 – The Manitou BBandBC Podcast EP74 – Stone Cold BBandBC Podcast EP73 – Night of the Cobra Woman BBandBC Podcast EP72 – The Return of Swamp Thing BBandBC Podcast EP71 – Linnea Quigley’s Horror Workout BBandBC Podcast EP70 – House on Bare Mountain BBandBC Podcast EP69 – Jackie Brown BBandBC Podcast EP68 – Kidnapped BBandBC Podcast EP67 – Kill Baby, Kill BBandBC Podcast EP66 – Manos: The Hands of Fate BBandBC Podcast EP65 – Flesh Gordon BBandBC Podcast EP64 – Riki-Oh: The Story of the Burning Moon BBandBC Podcast EP63 – Bitch Slap
BBandBC Podcast EP92 – Evil Spawn
BBandBC Podcast EP91 – Across 110th Street
BBandBC Podcast EP90 – Queen of the Road
BBandBC Podcast EP89 – Breaker Beauties
BBandBC Podcast EP88 – Road Games
BBandBC Podcast EP87 – White Line Fever
BBandBC Podcast EP86 – 20 Million Miles to Earth
BBandBC Podcast EP85 – Disco Godfather
BBandBC Podcast EP84 – Black Dynamite
BBandBC Podcast EP83 – She Freak
BBandBC Podcast EP82 – Mamorial Day Special
BBandBC Podcast EP81 – The Lost Empire
BBandBC Podcast EP80 – Santo & Blue Demon VS. Dracula & The Wolfman
BBandBC Podcast EP79 – Robot Jox
BBandBC Podcast EP78 – 10 Violent Women
BBandBC Podcast EP77 – Naked Killer
BBandBC Podcast EP76 – Gummo
BBandBC Podcast EP75 – The Manitou
BBandBC Podcast EP74 – Stone Cold
BBandBC Podcast EP73 – Night of the Cobra Woman
BBandBC Podcast EP72 – The Return of Swamp Thing
BBandBC Podcast EP71 – Linnea Quigley’s Horror Workout
BBandBC Podcast EP70 – House on Bare Mountain
BBandBC Podcast EP69 – Jackie Brown
BBandBC Podcast EP68 – Kidnapped
BBandBC Podcast EP67 – Kill Baby, Kill
BBandBC Podcast EP66 – Manos: The Hands of Fate
BBandBC Podcast EP65 – Flesh Gordon
BBandBC Podcast EP64 – Riki-Oh: The Story of the Burning Moon
BBandBC Podcast EP63 – Bitch Slap
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