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The Plot: Don’t Torture a Duckling begins with three young boys catching the village idiot spying on a couple of men having sex with prostitutes. They proceed to make fun of the mentally challenged man and are chased away and threatened by him. Shortly after this, one of the boys comes up missing and is eventually found dead.
This death would be the first of several more young boys to be discovered. The authorities are somewhat dumbfounded as there are so many possible suspects. However, they think they have the man who’s responsible for the killings, the village idiot. He confesses to threatening the kids, but tells the authorities that he didn’t commit the murder and that he found the boy already dead.
Soon after they put the man behind bars, a strange woman who studies the black arts (a witch) confesses to the crimes. But the authorities are suspicious of her confession and release her due to a lack of evidence. Shortly after her release, she’s hunted down by the townsfolk and is beaten to death with a thick chain. After her death, several other characters in the film become suspect as the police scramble to find a child killer on the loose.
The Takeaway: Don’t Torture a Duckling is a delight for those of you who love suspenseful horror films, Giallo’s if you will. All the characters in the film are drawn as suspicious and each one of them is less than perfect. This leads the viewer to suspect anyone within the story could be committing these ugly crimes. Director Lucio Fulci does a wonderful job pacing the film with powerful performances by Florinda Bolkan as Maciara the witch, the beautiful Barbara Bouchet as Patrizia the creepy sex starved nymph and Thomas Millian as Andrea Martelli the newspaper reporter.
As far as the film goes, Fulci uses his trademark close-ups to capture facial emotions from his performers. This, along with a strong script, an amazing soundtrack and gorgeous Italian landscapes, help drive the film to success. And although the film is light on the Fulci trademark gore, it’s heavy on suspense and works extremely well. The gore we do get to see, in particular, the beating of Maciara the witch, is extremely effective and would help define Fulci’s directorial career later in life.
Film Facts: What can I say about Lucio Fulci that you don’t already know? Nothing, so I won’t. Seriously, a cursory Google search on Lucio Fulci will come back with all you need to know about the man (and then some) and his history in filmmaking so there’s no need to retread old ground.
Don’t Torture a Duckling was directed by Lucio Fulci, written by Gianfranco Clerici, Roberto Gianviti and Lucio Fulci and shot by cinematographer Sergio D’offizi. The film was distributed by Medusa Productions and was released in September of 1972 to a limited number of theaters in Europe. The limited released was due to the films criticism of the Roman Catholic Church. Don’t Torture a Duckling never saw a theatrical release in the United States but was picked up and released on DVD by Anchor Bay in 2000 (this review source).
Gianfranco Clerici has had a wonderful career as a writer and is a very talented individual. He penned films such as The Bloodstained Butterfly (1971), Last Cannibal World (1977), the infamous Cannibal Holocaust (1980), House on the Edge of the Park (1980), The New York Ripper (1982) and most recently, the unreleased The House on the Edge of the Park II (2012). Cinematographer Sergio D’offizi has had an equally amazing career shooting films such as The Ruthless Four (1968), Cannibal Holocaust (1980), House on the Edge of the Park (1980). Deadly Impact (1984) and Woman in Arms (1990).
Barbara Bouchet appeared in over 80 film and TV roles throughout her career and is a former Playboy Playmate appearing in the February of 1967 issue. The German born actress moved to America (San Francisco) with her family early in life and was discovered in Hollywood afterwards. Hollywood, however, typecast her making it difficult for her to get the roles she desired. Tired of this, she moved to Italy where her career then flourished.
Thoughts In My Head: - I’m pretty sure this woman wants sex from this 12-year old boy - This film is dead serious - Barbara Bouchet is HOT - The witch lady is certifiable - This is one beating the witch won’t survive - Clearly they want you to think the HOT woman is guilty
Favorite Badass or Badass Moment: Sorry kids, no badasses in this one Favorite Boobs or Boobs in a Scene: The only pair in the film are Patrizia’s and they’re glorious Favorite Death Scene: The final death of the film gets the nod
Boob Count: 1 pair Body Count: 6
IMDB Rating: 7.1 / 10 My Rating: 8.5 / 10
Final Thoughts: Don’t Torture a Duckling is certainly one of Fulci’s better films, if not his best. That’s debatable I suppose. But with amazing direction, cinematography and writing, this film is lightening in a bottle. I’d highly recommend it if you have an interest in what Fulci did prior to his years in heavy gore.
The Plot: Premutos: The Fallen Angel begins with a couple of prologues that set the film up for things to come. We’re introduced to the angel Premutos, whom according to the film pre-dates Lucifer. Once this passes, we’re taken to present day and introduced to Mathias (Olaf Ittenbach), a somewhat accident-prone young man who lives with his mother Inge (Ingid Fischer) and his military obsessed stepfather, Walter (Christopher Stacey).
We next learn that it’s Walters birthday and his wife Inge has invited friends over to celebrate. This includes Edith (Anke Fabre) and her husband Hugo (Andre Stryi), Christian (Fidelis Atuma) and Tanja (Ella Wellman). Christian arrives to the party drunk off his ass and we see by the way Hugo and Tanja look at each other that they still may be in love. What a motley crew we have here and the scenes that follow the party are hilarious in nature.
In another room just down the hall, Mathias is recovering from a severe kick to the nuts and occasionally passes out from the pain (that must have been some kick). During these blackouts we learn more about the fallen angel Premutos through flashbacks. Once awake, Mathias spills a nasty liquid on himself (the liquid was contained in a box Walter had dug up in the backyard) and begins to turn into a demon, later realized as Premutos. Meanwhile, in another part of town, a homeless bum also drinks the same liquid infecting the townsfolk turning them to zombies.
** SPOILERS **
The Takeaway: Premutos: The Fallen Angel is not a very well made film. It’s terribly dubbed and feels as though there was no attempt whatsoever to sync the voice-overs with the performers. The voice talent is also limited to around 6 or so voice actors/actresses who sound identical making it difficult to decipher who is who. While I don’t have too much of a problem with this, the script could have been better thought out as it was obviously just thrown together with little to no thought (this may have been a translation issue as well). But on the other hand, this is exactly what makes this film work so well as watching and listening to the badly scripted dialogue will have you laughing your ass off.
As far as continuity and editing goes, it’s pretty evident that Premutos: The Fallen Angel was shot over a long period of time. Posters on walls change randomly, facial hair and hair styles differ from scene to scene, boom mics appear out of nowhere and in one scene, Mathias’ hand mysteriously re-appears after being cut-off earlier. As far as editing goes, there are many, many, quick cuts throughout the film. I suspect this is due to on-set errors such as visible boom mics, crew members and or possible filmmaking equipment in frame.
Not all is bad though as there are some truly memorable moments in Premutos: The Fallen Angel . The scene that kicks this cheese-fest into overdrive is the booger-flicking scene. This is by far the funniest scene in the film and is utterly brilliant. There’s a point in the film where Hugo gets tired of Edith running her mouth, so he digs deep into his nose and pulls out a green slimy booger. He rolls it up tightly on the back-side of his hand and flicks it her way. The camera tightens up on the green ball of mucus while it spins through the air and lands in Edith’s mouth. She chokes slightly, and then continues laughing at a joke she made earlier as though nothing had happened. If this scene doesn’t make you piss your pants from laughter, nothing will.
After this hilarious scene, the film begins to deliver what Olaf Ittenbach is known for, gore. The invading zombies break into the house and chase everyone down into the basement. Try as they might, our unfortunate group can’t keep the flesh-eaters away. So for the next 35-minutes or so the group moves into a defensive stance and battle for their lives. You’ll see more than your share of exploding heads, decapitations, handgun shootings, shotgun blasts, chainsaw attacks, sword deaths, rib munchings, face knawings, neck ripping, penis consuming and for the first time ever in a zombie film, a Tank attack by the ever so docile Hugo. I’m not sure where the Tank came from but at this point I’m not going to question it.
Film Facts: Premutos: The Fallen Angel was written and directed by the German born Olaf Ittenbach and was released direct to video in 1999. Prior to Premutos: The Fallen Angel , Ittenbach had directed two other films, Black Past (1989) and The Burning Moon (1992). After Premutos: The Fallen Angel , Ittenbach went on to direct many other direct to video low budget efforts and also performed as a special effects artist in the film BloodRayne (2005).
Thoughts In My Head: - I can see I’m in for a real treat here - As far as angry mobs go, this ones the worst in terms of IQ - These are some vivid flashbacks Mathias is having - Mathias’ mom is not good looking at all. Yeah, she’s just fugly - Mathias’ sister could be a man and that voice-over is awful - “I told you not to shoot the gun in the house, you might hurt someone” Ya’think - Oooh, getting kicked in the nuts like that has gotta hurt - This dubbing is gold, pure gold I tell’ya - How is a blanket going to help this guys swollen balls - And I thought Mathias’ mom was repulsive. Edith is fucking hideous - Gross, Edith is hitting on Christian - “Is that how you try to mate with those African sluts in your clay hut” yeah, that’s not racist - Boobies! - Oh shit, Edith just bitch slapped Hugo, what a fucking bitch - Ooooh, and there’s the booger scene, HAHA, OMG… - This is the worst party ever, until Christian pukes all over Edith - That’s it, clean Christian up with his own barf-soaked rag - And let the killing begin - “What the hell, you’re demolishing my house” says an angry Walter to the zombies - Amongst all this zombie madness, Edith is concerned with a run in her nylon stocking - Someone fucking kill Edith already - Walters pissed and that’s bad for the zombies - Bye Bye Edith you worthless piece of shit - Time to finish these zombie off, with a TANK no less… - This movie is EPIC
Favorite Badass or Badass Moment: Hugo, for finally shutting Edith up and kicking zombie ass Favorite Boobs or Boobs in a Scene: Tanja’s, they’re the only pair in the film Favorite Death Scene: There are far too many to list only one
Boob Count: 1 pair Body Count: 139
IMDB Rating: 5.1 / 10 My Rating: 6.5 / 10
Final Thoughts: Premutos: The Fallen Angel isn’t a very well made film but it delivers the cheese like no other film ever has. If you’re a fan of cheesy horror films you HAVE to own this, it’s EPIC!
The Plot: The Burning Moon begins by introducing us to Peter (Olaf Ittenbach) as he pulls up to an office building where he has an interview for a job. After telling the potential employer “kiss my ass”, he leaves to meet up with his gang buddies in order to fight a rival gang. After the fight, Peter heads home where he’s forced to baby-sit his little sister for the night. After Peter shoots up with a little heroin (yeah, this guys a winner) he visits his sisters bedroom and reads her two bedtime stories.
The first story, Julia’s Love, begins when Julia (Beate Neumeyer) agrees to go on a date with a new boy she’s recently met. Julia and Cliff (Bernd Muggenthaler) meet at a restaurant for dinner and appear to be having a good time. After dinner, Julia waits in Cliffs car while he goes to buy a pack of cigarettes. During her wait, she hears about an escaped lunatic named Cliff Parker on the car radio. In a panic, Julia gets out of the car running for her life. However, once Julia is home, she realizes that she’s left her wallet in Cliffs car and he now knows where she lives. The fun ensues…
The second story, The Purity, begins when we see a man raping a woman on a darkened street. This particular man turns out to be the village Priest, Ralf (Rudolf Hub). Next we’re introduced to Justuz (Andre Stryi). Justuz is a troubled farmer who confides in the Priest his feelings and troubles. Not long after this, we learn that the Priest is practicing black magic and shoots himself in the head committing suicide all in the name of Satan. After the death of the Priest, the townsfolk believe that Justuz is responsible for all that is wrong in the village . At this point, one of the locals kills Justuz. Once dead, Justuz rises to seek revenge and kill the man responsible for his death. He does so by dragging the man to hell for a torturous ending to his life.
The Takeaway: The Burning Moon sets itself up as an anthology with three short stories, or chapters if you will. The first builds on Peter’s character as we learn that he’s a troubled individual. The second and third chapters revolve around two different unrelated stories, Julia’s Love and The Purity. Julia’s Love is a take on the so-called American Slasher as it uses all the components of said genre and puts them to work in a fairly fast paced story that ends with Julia surviving, much like that of Alice from the first Friday the 13th (1980) film. The third and final story, The Purity, is similar to that of Clive Barker’s Hellraiser (1987), at least in terms of how the film ends (although the stories are quite different).
Considering The Burning Moon was shot on video and with little to no budget, director Olaf Ittenbach managed to produce a very entertaining film. By no means is it Oscar worthy, but it’s a film that most gore-hounds will really appreciate, and could learn from, if wanting to produce a horror film. The special effects alone must have been a huge undertaking for Ittenbach, let alone writing a coherent script that wraps itself around all the special effects. I found the film to be a bit slow during the third half but the payoff is well worth the slight slow pace. I also found the films direction fairly solid considering Ittenbach’s lack of experience at the time. Performances from the cast are acceptable, but clearly amateur in nature. Remember, when you’re friends offer to be in your film at no cost, you don’t have the right to be too picky.
Film Facts: The Burning Moon was written and directed by the German born Olaf Ittenbach. Prior to The Burning Moon Ittenbach had only directed one other film, Black Past (1989). After The Burning Moon Ittenbach directed what has become his landmark gore film, Premutos: Lord of the Living Dead (1999). He has since gone on to direct many other films and continues to work in the business as a director and special effects artist.
Thoughts In My Head: - If my son was this fucked up, there’s no way he’s baby-sitting my daughter - You can always depend on heroin when nothing else is going your way - How is it that an institute doctor doesn’t know they’re housing a patient whose killed 21 people - This music is soooo 90′s - Julia is like a Timex watch. She takes a Licking and Keeps On Ticking - What a nice Priest, he rapes then shoots a girl and then gives her, her eulogy afterwards - Apparently, Priests also like adult naked men - I want to move to Germany. A small pocket of change gets you a full pitcher of beer - Holy Jesus, is that a Jesus zombie
Favorite Badass or Badass Moment: Sorry kids, no badasses in this one Favorite Boobs or Boobs in a Scene: Sorry kids, no boobs in this one Favorite Death Scene: The final gore scene in the film. HOLY SHIT…
Boob Count: 0 pair Body Count: 13
IMDB Rating: 4.6 / 10 My Rating: 6.0 / 10
Final Thoughts: The Burning Moon is a must own for fans of gore, German underground horror or fans of Ittenbach’s other landmark film, Premutos: Lord of the Living Dead . It is however, a bit rough around the edges and at times feels like very much like a video nasty out of the 80′s (which is a good thing I suppose).
The Plot: Wow, this is a terribly bad film. In fact, it’s so bad that I won’t spend too much time on this written review as there’s no justification in doing so.
The Gruesome Twosome begins with two styrofoam heads chit-chatting back and forth about nothing at all. After this nonsense, we meet the remainder of the cast. Mrs. Pringle (Elizabeth Davis) owns a wig shop in town and also rents out rooms to girls attending the local college. One girl after another enters the shop in hopes of acquiring a wig or renting a room. This of course leads them to Rodney (Chris Martell), Mrs. Pringles’ retarded son, whom scalps each girl for mothers wig shop.
Next we meet Kathy (Gretchen Wells), another girl attending the college. Kathy seems to be the only one noticing the missing girls and takes it upon herself to investigate all the disappearances. Kathy’s discoveries lead her to the wig shop so she calls the police and the truth is finally revealed about Mrs. Pringle and her son, Rodney. Or should I say, The Gruesome Twosome.
The Takeaway: It’s pretty clear after watching The Gruesome Twosome that director Herscell Gordon Lewis threw in a scene or two in order to help pad the films run-time. The pacing is terribly slow. The acting is embarrassingly amateurish. The direction and editing is just plain sloppy and while the script and story had potential (in terms of the wig shop owner and her murderous son), it simply doesn’t work. Not for one minute can any one believe that a girl with such beautiful hair would want to replace it with a nasty wig, let alone believe that two incompetent people (Mrs. Pringle and her son) are able to murder as freely as they do. Something else to note is the terribly bad soundtrack. I’m assuming the film was shot without sound and later added in post production as many scenes are slightly out of sync or don’t include sound at all when the performers are speaking their lines. There are also times where the sound levels are uneven and loud hissing background sounds are present from one minute to the next depending on the scene.
On a positive note, the gore in the film is rather well done and each scene in which a girl is killed, the camera lingers far too long on the event making it feel all to real.
Film Facts: The Gruesome Twosome was directed and produced by Herschell Gordon Lewis. The film was released in 1967 and was said to have had a budget of $40,000. The Gruesome Twosome is a “miss” in the directors huge arsenal of “hits and misses”. Once post-production of the film was complete, Lewis found the film to be too short for a theatrical release. In turn, he added segments to the film getting the much needed run-time for a theatrical release. These scenes include the opening segment where two styrofoam heads chat-chat back and forth and a scene at a drive-in theater where a couple make out in a car while watching two people eat food on the drive-in screen (exciting stuff).
Thoughts In My Head: - Starting a film with talking styrofoam heads is a bad sign - This is like watching a Godzilla movie, only the dubbing is worse - These girls can’t dance worth a shit - Just spent 15 minutes trailing a murder suspect only to watch him dig a hole - You know it’s a movie when it only takes 10 seconds for the police to respond to a loud scream - Kathy, keep your fucking busybody nose out of others peoples business - Hey, I thought all slumber parties ended in lesbian orgies - Who bathes with their back to the shower door - Giving your retarded son an electric knife as a gift is probably a bad idea - Herschell Gordon Lewis is the godfather of gore and product placement as well (KFC & Michelob) - OK, Dave, time to dump Kathy, she’s a fucking bore and a prude - No way these are college girls, they’re just too fucking stupid - OK, the chic in the striped pants is HOT! - I really miss the Drive-In, they were a lot of fun - “I know the girls were killed here” says Kathy as she goes back in - Like in most of Herschell Gordon Lewis’ films, the cops are useless
Favorite Badass or Badass Moment: Sorry kids, no badasses in this one Favorite Boobs or Boobs in a Scene: Sorry kids, no boobs in this one Favorite Death Scene: The scalping of girl number one
Boob Count: 0 pair Body Count: 3
IMDB Rating: 4.7 / 10 My Rating: 3.0 / 10
Final Thoughts: The Gruesome Twosome isn’t a very well made film, yet there are moments of brilliance when Rodney the retard kills. You just have to ask yourself, are you willing sift through a pile of shit in order to find a small nugget of gold?
The Plot: Nightmare Concert (Cat in the Brain) begins with a slow pan of a dead woman who is missing a steak-sized piece of flesh from her thigh. We’re then shown a man cooking his dinner which happens to be a nice juicy piece of steak. As he sits down in front of his TV to eat, he cuts into the rare meat while we’re shown a flashback to the woman we saw earlier being cut to pieces with a chainsaw. As the camera pans back from the scene we see the crew who is shooting this horror film as director Lucio Fulci (playing himself) calls cut and print.
Fulci dismisses his cast and crew asking them to return in one hour, after lunch. He then climbs into his car and drives to a local restaurant where the steak and hamburger being presented to him, repulses him. After the days shoot, Fulci heads home to get some sleep. It’s here he begins to imagine all sorts of macabre and hideous things. Fulci awakes to a neighbors chainsaw and upon confronting him, imagines him cutting people up, killing them. As Fulci’s nightmarish visions occur more and more, he decides to seek the advice of a psychiatrist.
At the psychiatrist office we meet Professor Schwarz (David Thompson). The Professor sits Fulci down and begins to pick his brain apart. After the first session, the Professor requests copies of Fulci’s films and scripts. The following appointment at the psychiatrist office and after the doctor has read the scripts and seen the films, he deduces that Fulci is the victim of his own creations thus the films being created are having an adverse effect on his psyche. The doctors solution is hypnotherapy (or so he leads Lucio to believe) so he hypnotizes Fulci for the solution. However, the doctors plan isn’t what we first think it may be as he’s wanting to exploit Fulci’s vulnerabilities for his own murderous ways.
The Takeaway: I’m not entirely sure why I chose Nightmare Concert as my first Italian horror film to review. Fulci’s directorial library is fairly large and I could have chosen a much better film from it. But here I am writing about what many consider Fulci’s last “good” horror film. And when looking at the films that followed Nightmare Concert ; Demonia , Voices From Beyond and Door to Silence , I’d have to agree with the moral majority.
I really enjoyed Nightmare Concert . However, there are some things that rubbed me the wrong way. The script, while coherent enough, does tend to drag towards the middle section of the film as I found my eye-lids getting heavy. I think this has to do with seeing some of the same gore scenes over and over again as Fulci has them edited into the film as part of his characters mental state. Thus we get to see the same scenes again and again. My other issue is Fulci as the leading man. While he manages to service the role, it’s clear he’s not an actor and should have given the role to a more competent performer. Though I must admit I found it somewhat entertaining to see Fulci in this full time role and not just a cameo.
On a more positive note, and in regards to the films plot line, I loved how it ended as it really throws you for a loop in a fun sort of way. I also have to say that the script is fairly solid as there are no real unanswered plot scenarios. Those of you already familiar with Fulci and his films know that he was heavy on gore and light on plot. This usually left gaping plot holes in his scripts that never went answered. This isn’t the case with Nightmare Concert as the film wraps with no questions asked. Sticking to the positive side of things, the gore in Nightmare Concert , despite seeing some of the same scenes over and over again, is outstanding given the limited budget. In many of his earlier films, Fulci leaned on the amazing Giannetto De Rossi for makeup effects, however, in Nightmare Concert , he used Giuseppe Ferranti. I must say Ferranti did an amazing job considering the budget he was given to work with.
Film Facts: Nightmare Concert was written and directed by Lucio Fulci (also credited for writing is Giovanni Simonelli). The film was first released in August of 1990 by Grindhouse and was said to have had a budget of $100,000. As a writer and director, Lucio Fulci covered many different types of film genre’s prior to becoming known as a horror director. Giallo’s such as Don’t Torture a Ducking and A Woman in a Lizards Skin met with success and Fulci even managed to dip his toes into the western genre with Four of the Apocalypse . Fucli, however, fast became Italy’s go to director with the success of Zombie (Zombie 2). Following Zombie was City of the Living Dead , The Black Cat , The Beyond , The House by the Cemetery and the New York Ripper to name a few of his better films.
The films score was written and produced by Fabio Frizzi. While the score for Nightmare Concert is nothing to write home about, it does service the film nicely. Frizzi had long worked in the Italian film industry (and is still working today) and has done some amazing work with Fulci in the past. Vincenzo Tomassi as the films editor worked wonders with Nightmare Concert (considering much of the film was created with old Fulci horror film clips). Prior to Nightmare Concert , some of Tomassi’s credits include Deadly Impact , The Raiders of Atlantis , House on the Edge of the Park , Cannibal Holocaust and many of Fulci’s other popular horror films.
In the end, and there has to be an end, Nightmare Concert shouldn’t be over-looked by those who love horror films or those who are fans of Lucio Fulci’s earlier horror films. If you’re unfamiliar with Fulci’s horror films, don’t start with this one as it may turn you off. Start with Zombie (Zombie 2) or one of his other more popular films such as City of the Living Dead , The Beyond , The House by the Cemetery or The New York Ripper .
Favorite Badass or Badass Moment: Professor Schwarz, he’s not very nice Favorite Boobs or Boobs in a Scene: The gal in the shower scene. Very nice supple rack Favorite Death Scene: The already dead woman getting cutup by the chainsaw at the outset of the film
Boob Count: 11 pair Body Count: 8 (does not include deaths depicted in Fulci’s visions)
IMDB Rating: 5.4 / 10 My Rating: 6.0 / 10
Final Thoughts: Nightmare Concert is an above average effort from director Lucio Fulci and one I recommend seeing if you’ve seen the above mention Fulci films first.
RT @ proboothcast : Mark your calendars! Mike is on Outside the Cinema tomorrow (Monday). Show starts at 5PM EST live at... http://t.co/ ... 4 hours ago
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